The practice of Saule Dusenbina (Almaty, Kazakhstan, born 1971) is interesting not only by the presentation of each project in itself, but also by its organic dynamics, crossing several border states. The artist first operates with traditional mediums of drawing and painting, studying the objective world around, her home, her body, her own history and memory. Authentic modern patterns are lined up in wall-paper, according to classical European laws, consisting in diamonds, lining up in stripes, scattering peas, separating by blending on the backgrounds of pastel rocale colors (pistachio, sky-blue, and mauve). All this together creates a bizarre and sarcastic context of Kazakh courtlyness - the fusion of refined Eurocentricity and coarse Asiatic. This context penetrates us not through thoughtful contemplation, but through living our stay in the interior with such wallpaper, surrounded by furniture with such upholstery, with the light of the lamp in the appropriate lampshade. This creates the effect of an obsessive idea, which, in fact, is each of these cliché patterns, which are constantly juggled by the adherents of the new national propaganda in Kazakhstan. Although, in truth, such juggling is typical for any part of the world, just the patterns change, crossing the borders of countries, archetypes and genres ... 2019 "Contemporary Collage from Central Asia" Group exhibition.Sapar Gallery. NY.USA 2018 "Focus Kazakhstan- Eurasian Utopia.Suwon Ipark Museum of Art.