François Quévillon's interdisciplinary practice explores phenomena of the world and perception by the implementation of processes sensitive to their fluctuations and to human interference. It addresses planetary disruptions as well as those affecting contemporary media, such as the relations between algorithms and images. He investigates how technology affects or redefines human cognition, culture, the environment, our relationships to space, time and to one another. Frequently developed during artist residencies involving field research, his work has been featured around the world at exhibitions and events dedicated to contemporary art, cinema and digital creation. Among them : Tangent Media at the Gravity Field Art Gallery (Shenzhen); House Warming at the HKSTP Experience Centre (Hong Kong); OMAF at the Oil Tank Culture Park and When Spiders Spin Dusk at the Coreana Museum of Art (Seoul); Connecting the Dots (Mexico), Sundance’s New Frontier exhibition (Park City); Spaces Under Scrutiny at the Knockdown Center (New York); ISEA (Gwangju, Dubai and Albuquerque); Flora and İnsan Eli Değmiş at Kalyon Kültür (Istanbul); .dreams at the Theatre of Digital Art (Dubai); FILE (São Paulo); IndieBo (Bogotá); LOOP Barcelona; Climate Art Collection @ Transmediale Vorspiel (Berlin); Chroniques (Marseille); Mirage Festival (Lyon); Mirage Festival (Lyon); Mois Multi (Québec); FIFA, Mutek, NeurIPS, RIDM, Elektra and International Digital Art Biennal (Montréal). www.francois-quevillon.com