This collection features works of Audiovisual Digital Abstraction, each composed by tuning audiovisual color data to specific just intonation ratios and their combinations.

Some pieces explore intricate blends of these ratios, while others focus on simpler, more direct pairings—reflected in their titles. The titles themselves are deliberately long and quasi-mathematical, referencing the numerical precision and structural elegance inherent in whole-number tunings.

Visually, the works draw inspiration from color field painting, yet their foundation in meticulously tuned audiovisual data introduces a distinctive intersection with minimalist music traditions, evoking the spirit of composers such as La Monte Young and Terry Riley.

The result is a new kind of multimedia expression—precise, meditative, and richly patterned.