En Manège unfolds as a continuous circular procession, the ensemble gliding in measured orbit around an unseen center. Each form moves in relation to the others, sometimes converging, sometimes drifting apart, yet always maintaining a shared rhythm of motion. Like dancers traveling around the perimeter of a stage, the choreography suggests both constancy and change — motion that returns upon itself without repetition. The title captures this circling dialogue, a meditation on balance, rotation, and the quiet persistence of form.